Through Old Techniques to New Ideas
In the "Museum of Work" in the northern German
metropolis of Hamburg, visitors may learn how in earlier days, wood
type was manufactured, and in the process how prints were made. The
graphic designer David Janssen restored the last wood type
manufactory in Germany for the museum, and built it into a
demonstration workshop.
Most of the time it is posters that notify us about special
offers, event announcements, or election campaigns in curt slogans,
and clear-cut letters. Not only the images on them, but also the
words should be legible already from a distance. Yet, before the
dawn of the modern era of printing presses and computer technology,
how did these oversized letters get onto paper? Earlier, large
print characters were sawed or milled out of wood, laid out in
typeface on a plate, and then printed in lettering onto sheets.
Rugged Letters Made of Wood
Since the manufacturing of large letters out of lead involved
a great expenditure of effort and was costly, letters were
manufactured out of wood. The wood came from pear, maple, or box
trees, which because of their robust structure were particularly
good at withstanding the heavy load from printing rollers, and also
leant themselves ideally to processing because of their short
fibers. Wood letters were already introduced into the printing of
posters and headlines by the beginning of the 19th century.
Especially in England and in the United States, in the train of
emerging advertising, the need for new fonts with unconventional
designs grew ever larger. Numerous firms specialized in the
production of wood characters, so-called poster type. In Germany,
where production was introduced towards the middle of the 19th
century, things were different: here, wood lettering was
manufactured exclusively by type foundries that also produced lead
lettering. Furthermore, the foundries were less experimental, so
that German poster type closely followed the strict and rectilinear
forms of the lead fonts in larger format.
However, wood characters did not hold up nearly as long as
letters made of lead. The longer they were used, the more severely
their surface and edges wore down, so that print quality became
increasingly less sharp. After about 30 years, wood characters
could no longer be used in printing. Given increasing automization
through offset printing in the 20th century, the demand for wood
characters grew ever smaller. Accordingly, German type foundries
stopped producing wood type during the 1960's. What little demand
remained was met by the "Gedi-Schriften" company owned by
the Diller brothers in Bamberg. Even so, demand soon became so
small that in 1975 they stopped manufacturing wood type altogether.
You can download the complete document on the top right-hand
side.
Print Version
pdf Document
Here you may download the complete article in pdf format in
English, French or Spanish.
Museum der Arbeit
Further informationen about the "Museum der Arbeit" in
Hamburg can be found here Homepage
Holzlettern Manufaktur
Further information on the "Holzlettern Manufaktur"
project and its designer Daniel Janssen is available here